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Chimneys and Towers: Charles Demuth's Late Paintings of
Lancaster
On View
November 10, 2007
through
January 20, 2008
West Palm Beach,
Fl –
Chimneys and Towers: Charles Demuth's Late Paintings of Lancaster
is a focused exhibition examining a key group of paintings created
towards the end of the artist's
career. The exhibition and catalogue explore
how Demuth combined elements of place, region and the past to produce
paintings of unusual visual and symbolic meanings. Like others in the
American avant-garde, he employed the "aesthetic of place" to create
works that were at once historical and contemporary.
Marisa Pascucci, the Harold and Ann Berkley Smith Curator of American
Art commented, “The Norton Museum of Art is thrilled to present Charles
Demuth’s paintings to our visitors as his late Precisionist works are
considered some of the most important in the history of American
modernism. We are especially pleased since the
Norton
Museum
owns the last work in this seminal series, which is also the last oil
painting Demuth is known to have created. Demuth—along with Georgia
O’Keeffe, and Marsden Hartley—is regarded as a one of
America’s
preeminent twentieth-century painters.”
The exhibition centers on a series of six industrial paintings that were
inspired by Demuth’s hometown of Lancaster, Pennsylvania: specifically
the Armstrong Cork Company, grain elevators and smokestacks. The series
is comprised of My Egypt (1927, Whitney Museum of American Art);
Buildings, Lancaster (1930, Whitney Museum of American Art);
Chimney and Water Tower (1931, Amon Carter Museum, Fort Worth);
And the Home of the Brave (1931, Art Institute of Chicago);
Buildings (ca. 1931, Dallas Museum of Art); and the last oil the
artist is known to have completed, the enigmatic After All…
(1933), a masterpiece of the Norton’s American paintings collection.
The imagery employed in all six paintings reflects how Demuth's
intensely personal experiences played a large role in shaping his
approach to modernism.
Demuth typically sketched out the main details of his compositions ahead
of time, and a number of these sketches are featured in the exhibition
as well. Comparing the paintings with these loose and spontaneous
studies, which were highly personal and not intended for exhibition,
demonstrates how the artist formulated his ideas.
To illuminate the principal stylistic themes in the paintings, the
exhibition also features photographs of the Lancaster industrial sites
portrayed in the paintings, and an exceptional section featuring
conservation images will show the artist's as yet unseen technical
methods.
Chimneys and Towers
is accompanied by a publication of the same title that reveals new
scholarship about many aspects of Demuth’s life and work, including his
attachment to
Lancaster,
his diabetes and the disease’s effect on his career as researched by
guest curator Betsy Fahlman, Professor of Art History at
Arizona
State
University
and a recognized authority on Demuth.
Claire Barry, the Amon
Carter’s chief paintings conservator, contributed the first published
technical study of the six paintings
providing an examination of the artist’s late painting technique,
specifically the composition, individual forms, color and working method
of the
Lancaster
paintings. Chimneys and Towers
debuted at the Amon Carter in August 2007, after its display at the
Norton
Museum
of Art it will travel to the Whitney Museum of American Art in 2008.
Chimneys and Towers: Charles Demuth’s Late Paintings of Lancaster
is organized by the Amon Carter Museum, Fort Worth, Texas.
The exhibition and the accompanying publication have been made possible
in part by grants from The Henry Luce Foundation and The National
Endowment for the Arts.
Local sponsorship of this exhibition is made possible in part through
the generosity of the Mr. and Mrs. Hamish Maxwell Exhibition Endowment.
The
Norton
Museum
of Art is open Monday–Saturday,
10 a.m. to 5 p.m.,
Sunday,
1 to 5 p.m.
(Closed Mondays from May through October and on major holidays.) General
admission is $8 for adults, $3 for visitors ages 13-21, and free for
Members and children under 13.
West Palm Beach
residents receive free admission to the Museum Collection every
Saturday, with proof of residency.
Palm Beach
County
residents receive free admission to the Museum Collection the first
Saturday of each month, with proof of residency.
An additional charge may apply for special exhibitions. For
general information, please call (561) 832-5196 or visit
www.norton.org.
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