Three exceptional canvases by Joan Mitchell and Clyfford Still, each a master of late twentieth century American painting, will be on view at the Museum from March 22 through the Fall of 2012. Still (1904 - 1980) is credited with laying the groundwork for the Abstract Expressionism movement, which is exemplified by a variety of styles from the pour paintings of Jackson Pollock to Mark Rothko's fields of luminescent color. Until the opening of the Clyfford Still Museum last year, there were few public insitutions where his sublime, remarkable canvases could be seen. On view at the Museum are 1949-A-No.1 (1949) and PH-1033 (1976). Although younger than Still, Mitchell found her voice (as did many other artists of succeeding generations) within the style of gestural abstraction. While the very action of the manner of painting was powerful, Mitchell (and her peers) reinterpreted it, using paint directly from tubes, applying it with her hands and conceiving of compositions that worked from the center out, rather ethan over the entire surface of her canvas. These characteristics are seen in the untitled canvas by Mitchell (circa 1960) also on view.