Featuring paintings by leading artists such as George Bellows, Robert Henri, John Marin, Reginald Marsh, Georgia O’Keeffe, and John Sloan, this exhibition examines the shift to urban views of New York’s waterways between 1900 and 1940 as Realists and Modernists conceived a new pictorial language to treat American industrialism. Having jettisoned the romantic ideals of forebears -- such as the Hudson River School -- who had ignored the industrialization of the region, these artists celebrated the changing way of life along the city’s waterfront. Instead of majestic mountains, they painted the modern waterways’ bridges, cranes, and ocean liners, using an increasingly sharp focus and borrowing ideals from the Machine Age. Twentieth-century artists took the elements of the Sublime, combined them with Modernism’s interest in structure and form, and applied them to humankind’s industry, thereby creating a new visual vocabulary for the modern era: the Industrial Sublime.
Organized by the Hudson River Museum
Local presentation of this exhibition is made possible in part through the generosity of Mrs. Anne Berkley Smith.
With additional support provided by the Mr. and Mrs. Hamish Maxwell Exhibition Endowment and The Priscilla and John Richman Endowment for American Art.
The exhibition and accompanying catalogue have been made possible by a generous grant from the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, Inc. The exhibition catalogue is supported, in part, by Furthermore: a program of the J. M. Kaplan Fund.